Love Poems You Didn’t Write: Since Feeling is First

tumblr_mpsffcmQRE1styy8io1_500So I changed the title. Please feel free to submit a formal complaint to the management. You can consider this the fourth and final installment of the “Love Poems You Wish You Had Written” series for 2015. There is about a half hour left in the day of the man who died to marry people (or so the story of St. Valentine goes). My sweetheart is in a food coma on the couch and we haven’t even gotten to dessert yet. I guess I overdid it.

Having worked in the restaurant industry, at first by choice and then as a means of survival, the last place I wanted to be was out on the town tonight. So I cooked, oh boy did I cook. Brie with apricots, honey, pecans and golden raisins; Caesar salad with red onions and red romaine; and Brian’s favorite, chicken Parmesan with my own pasta sauce. Maybe it was the champagne that knocked him out?

I suppose this situation is an apt illustration for the principle in tonight’s poem. I enjoy cooking, the feeling of being creative in the kitchen, knowing that I’m giving people pleasure through that creation. If I started with the technique, and never got past it, the result might be a good dish, but I am guessing it would be missing something of the magic. Poetry perhaps is like that, if you’ll allow me the metaphor. First come the feelings, then the writing, then the honing and crafting and polishing to make it a piece of art.

And if you spend too much time analyzing, “paying attention to the syntax of things,” you’ll miss the magic, the fun of just wholly embracing (dare I say it?) “the joy of cooking,” glass of wine in hand, friends, family or lovers in the kitchen, or nearby, maybe strumming a guitar, playing the piano, petting the cat, losing a video game. Don’t suck the magic out of the art, out of the moment. Just enjoy it. Perhaps that is what Cummings is saying.

No matter what I cook, when I am proud and happy that my hubby is happy, I start to describe how I accomplished the meal, listing ingredients, bragging about the technique. But Brian invariably protests, “Don’t demystify it for me!” Isn’t that cute? He just wants to savor the magic. e-e-cs

Kathleen over at The Course of Our Seasons requested this poem by E. E. Cummings and I include for you the awful and silly reading I did of it on my balcony in 2011. I had my cool shades on, the flowers behind me; the sun was out. I was feeling goofy and springy because “spring was in the world,” and I was shooting for some novel way of reciting the poem, some unconventional approach.

Well, some people loved it, but the most fantastic response (I regret deleting it) was from a guy who said, “That was my favorite poem. You ruined it.” Ha! Well, you are welcome, friend. Sometimes that YouTube thing is just a vehicle of fun. Let’s not take it so seriously, even if we aren’t sure anymore if we were trying to be serious or not. God, I hope I wasn’t, because this truly is awful!

I must say though, I was proud that I memorized the piece–not one of my strengths, I assure you. The second video below is much more tame and balanced, by a lovely young man who is a complete stranger to me. I assume this was a homework assignment for him, but hey, guy, nice job! I like how he reverently recites the poem, not too much emotion, but not robotic either. He also has some insightful commentary after the musical interlude, which he ties to the poem quite cleverly.

As is often the case, I include the poem (this time at the top of the page) so you can follow. Whatever you did today, alone with your beautiful, lovely self, or in the company of those you adore, I wish you the happiest of Valentine’s days, or Valentine’s weekends now, since by my Eastern Standard clock it is now quarter past midnight. I wasn’t paying any attention.

PS. And yes, he wrote it “E. E. Cummings“.

 

Love poems you wish you had written 2015 #3 – W. B Yeats

David J. Bauman:

This was a lovely choice by Suzie’s fans. I may get one, possibly two more in before the weekend is out, but this simply, heart-wrenching piece by Yeats, read by Anthony Hopkins… oh you just shouldn’t miss it.

Originally posted on No more wriggling out of writing ......:

William_Butler_Yeats_by_George_Charles_BeresfordWell, haven’t I had some wonderful suggestions for this series of love poems for St Valentine’s Day and beyond? Donne, Auden and now Yeats. This one, I have to admit, is one that I have loved since my teens, with that vain hope that one day someone would write something like it for me….

Hey ho, such is real life that nothing has yet been forthcoming and a limerick might be the best I can hope for now. But that doesn’t prevent me, and it seems many of my Facebook friends, dreaming. This great poem – Aedh (or He) Wishes for the Cloths of Heaven was suggested by Jane Earthy, Ada Mournian and Deborah Metters, amongst others and it is one of those poems that itch to be learnt by heart.

William Butler Yeats was born in Dublin in 1865 and became one of the foremost literary figures of the…

View original 289 more words

Love Poems You Wish You Had Written #3–Thursday Edition with Carol Ann Duffy

English: Carol Ann Duffy (cropped)

Carol Ann Duffy (Photo credit: Wikipedia)

Thanks to Suzie Grogan, alias Keatsbabe, we’ve started again in the memorable tradition of 2013, posting Love Poems You Wish You Had Written. But now it’s Thursday and I just cannot help but adhere to a more recent tradition here on the Dad Poet, the Thursday Love Poem!

Now, it’s been a while since our last Thursday Love Poem feature, since September in fact, so let’s review. What exactly qualifies? Well, a Thursday Love Poem is a love poem that is unique, not quite what you’d expect, a very different way of looking at love, and possibly not one fit for a Valentine’s Card. You can click right here to see all of the Thursday Love Poems we’ve shared, including Richard Blanco’s “Killing Mark,” my own poem about a Chinese cleaver, Dorothy Parker’s “One Perfect Rose,” and of course the TLP’s namesake, “Thursday,” by Edna St. Vincent Millay.

AND if I loved you Wednesday,
Well, what is that to you?
I do not love you Thursday–
So much is true.

And why you come complaining
Is more than I can see.
I loved you Wednesday–yes–but what
Is that to me?

No, I don’t suggest you read that to your lover this weekend, but you really should read it out loud to someone, or maybe read it in public with your phone to your ear; read it as conversationally and causally as you can. You’re guaranteed to raise some eyebrows.

As I was pondering over what to use for this pre-holiday Thursday, the Thursday of Love, I stumbled upon a poem shared on Twitter. I cannot recall to whom I should be giving credit, but I was delighted to find this unique, and honest view of romance from UK Poet Laureate Carol Ann Duffy, perfectly titled for this week’s edition of TLP.

Duffy has held the ten-year position of Poet Laureate since 2009, and she’s the first woman to wear the title. You can learn more about her work and listen to her read her poem “Syntax” over at the Poetry Archive, or you can check out her interview from September’s edition of The Guardian in which she assesses her first five years in office.

Now brace yourself. This poem might make you cry.

VALENTINE

Not a red rose or a satin heart.

I give you an onion.
It is a moon wrapped in brown paper.
It promises light
like the careful undressing of love.

Here.
It will blind you with tears
like a lover.
It will make your reflection
a wobbling photo of grief.

I am trying to be truthful.

Not a cute card or a kissogram.

I give you an onion.
Its fierce kiss will stay on your lips,
possessive and faithful
as we are,
for as long as we are.

Take it.
Its platinum loops shrink to a wedding ring,
if you like.
Lethal.
Its scent will cling to your fingers,
cling to your knife.

–Carol Ann Duffy
From New Selected Poems 1984-2004 (Picador, 2004). Originally published in Mean Time (Anvil, 1993).

 

Love Poems You Wish You had Written #2–Elizabeth Bishop’s “One Art”

bishopyoung1Suzie has published her second Valentine poem of the week, a lovely and human piece by W. H. Auden, called “Lullaby.”  The deal this year is that we are posting requests, but I will tell you up front that this one was requested by nobody but me. It’s one of my favorite poems of all time, and certainly my favorite villanelle. We talked about this French form recently here on the Dad Poet when I discussed three villanelle examples that the library workshop used. You may see at least some of the fruits of our efforts in an upcoming post.

But I chose “One Art” today for other reasons. An old friendship has re-ignited from more than twenty years ago, from my first college days in the flatlands of Indiana. You can find some truly excellent advice on editing over at Joel’s blog, the Green Caret. Caret (^) is that little upside-down v character that editors use to insert a word, letter or correction.  Our favorite former English professor inspired his use of a green editing pen, and she just happened to be the first person I ever heard read the poem “One Art,” by Elizabeth Bishop.

The piece was written for her long time partner Lota Soares. It is not a happy love poem, and so perhaps not the best choice for a Valentine card, but love poems don’t have to have happy endings. Loss is a part of the experience of love, as so many songs and poems prove.

And so while Joel did not request this, he did inspire it, so that’s close enough. I have another E. E. Cummings poem coming up this week that one of you suggested, so stay tuned. Meanwhile, what love poem do you wish you had written? Let me know in the comments.

This reading was one of the ones testing out my new microphone, and it will probably be rerecorded later because it is just crying out for a short video I think. The last recording I did of this piece was probably in 2010. You can find the entire text of the poem on the Poetry Foundation website here.

Love Poems You Wish You Had Written #1–“Aimless Love,” by Billy Collins

AimlessIt was two years ago that Suzie Grogan and I played a game of tennis with posts about the love poems we wish we had written, and yet, romantically perhaps, it seems a lifetime ago. Please pardon the cliché! Well, Suzie is at it again on No More Wriggling Out of Writing, and I’m going to follow her lead this time. She’s taking requests this year, or at least suggestions, and I’ll do the same.

What love poem makes you wish you had written it?

Suzie’s first of the week is the classic, and very romantic, “The Good Morrow,” by John Donne, with a marvelous reading by Kenneth Branagh. In this age of Grey’s fifty shades, I concur with her insistence that “Donne is sexier by far than anything E L James came up with.”

The poem I have chosen for my first of this 2015 Valentine’s week, by contrast, is contemporary, and was recommended by my son Micah, known in the blogging world as The Monkey Prodigy. The poem even features a heart just waiting for arrows to pierce it. Sounds like a Valentine’s Day poem, no? Well, maybe it’s a different kind of love, maybe a better kind, the sort of love born of attention and care, and well, how could that not be a romantic good?

Billy Collins is often a guest on “A Prairie Home Companion with Garrison Keillor.” Just this weekend he appeared with guest host Chris Thile for another wonderful show. The video below was from a PHP reading a little over a year ago.

The poem seems to start as a lighthearted exploration of the way we thoughtlessly toss around the concept of falling in love, but in the end, even in the joke of the soap after handling a mouse, there is something in the way the poet caresses the details, the way great poets do, that brings about a simple authenticity that just feels right and, well good. Well, I think it’s lovely, and a good first choice, as it is from his 2013 book of the same title, “Aimless Love.” Thank you, Micah!

The full text can be read on the September 1st, edition of Keillor’s Writer’s Almanac from 2013, where you can also hear the smooth voice in the red shoes read the poem. Here’s Billy’s version.

 

Love poems you wish you had written 2015 – #1 John Donne

David J. Bauman:

My dear friend Suzie from across the pond is at it again this Valentine’s week! She and I did complimentary posts like this in the past and I have just been inspired by her to have a go again at it this year. Any requests?

Originally posted on No more wriggling out of writing ......:

JohnDonneLast year I followed the example of the fabulous David J Bauman over at The Dad Poet and posted some of my favourite love poetry. I had a great time rediscovering some old favourites and finding new work that moved me; poetry that really had the power to distil emotions and make me cry out (internally anyway!) ‘Yes!!’

So this year, I thought I would do something similar, but with poems nominated by friends on social media. I have always maintained that those who say ‘I don’t like/get poetry’ just haven’t found the right poet for them, so I do hope something on this blog inspires you to take a closer look, for Valentine’s Day on the 14th, and onwards.

The first poem of the week was nominated by Lorna Fergusson, over at Fictionfire, and seconded by Emma Darwin. It was published nearly 400 years ago, but it still has the…

View original 334 more words

Dylan Thomas Helps Me Test a New Mic

Yeah, ole Dylan is a helpful guy, isn’t he? I mentioned this poem in the last post as we were learning about villanelles in the library workshop this week. And this oft read, oft quoted piece was the prime example of how to write one that stays exactly to the form, yet finds a way to do so cleverly.

I was experimenting here with a new microphone, a gift from my kind friend Rainer who has toyed with my voice before, laying down beats and tracks with some of my previously noisy recordings. I made no audio adjustments made here after the fact, no upping the bass, no noise reduction, merely the clipping off of silence at the beginning and end. I wanted to see what could happen organically with it and I am overjoyed.

As for Dylan’s villanelle, though this is the most rigid of the three examples that we studied, he provides a great deal of variation in how the repeated phrases are used. It’s mostly managed subtly by punctuation which helps differentiate whether the repeated lines are spoken as commands, descriptions, or in the final lines, an outright plea to his dying father not to give himself up to death quietly.

A lot of traditional readings of this seem to focus chiefly on the meter. In this recording experiment I was attempting to honor the meter, while using the poet’s punctuation as guidelines to keep me from breaking up the sense of the sentences. It sounds a tad emotional, but then it’s hard to rage quietly. I hoped, however to avoid jumping the shark when it comes to the drama.

Mostly this is an experiment and learning experience for me more than anything else. Please let me know your thoughts.

Do Not Go Gentle Into That Good Night

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieve it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

©1937 by Dylan Thomas