Poetry Innovations, from Sculpture to Animation

David J. Bauman:

It’s about time for me to swing shift through the rest of the Easter weekend. Since I won’t see you until I ressurect on the other side (of said weekend; let’s not be so literal and dramatic, shall we?), I am doing the unthinkable and reblogging one of my own posts, from nearly two years ago. Since it is National Poetry Month–international now it seems, I think posts like this that explore ways that poems can speak to new audiences are worth the returned attention. Many of you are new readers since then, and I did promise I’d bring back a few goodies from the past. Enjoy these clips!

Originally posted on The Dad Poet:

We’ve been looking at some innovative ways to present poetry to a modern reader, or listener. Here are a few things I found this evening that I thought you’d enjoy.

There is a library in Lancaster, Pennsylvania, a few hours from my home that is combining poetry with sculpture. Take a look at this article from last month and some of the exciting projects that are being planned. This calls for a day trip!

Have you ever gone looking on YouTube to see what kids are coming up with as Poetry Projectsfor their English classes?

Next time you are at your local bookstore look for magnetic poetry. We have it on our refrigerator here in our kitchen, and my sons, family, and guests seem to enjoy cooking up new creations on the fridge door. And since the boys are getting older I don’t have to worry so much…

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Flashback Friday, Matthew MacFadyen Does Poems


Matthew Macfadyen (Photo credit: mundo Floser)

I know, the recent trend is Throwback Thursday, but as a poet, I just cannot do it. Too many other meanings to “throwback.” When I was a kid dad took us fishing, and the fish that were too small got thrown back. I cannot help associate throwbacks with things that are not worth keeping, things that must be tossed away as insufficient. Sorry, that’s how my mind works, despite the latest lingo.

I prefer to Flashback, old-fashioned as that sounds in the oh-so-hip world of the interwebs. Be happy that I don’t Flashdance. That would be a disaster, though it would probably be a viral sensation: Poet/Blogger Flashdances to Yeats! Now, that’s an idea. . .

Anyway, yesterday it was a delightful discovery to me to find a video of Samuel West performing a Tom Vaughan poem called “Proposal.” Click back and check it out. It’s only a minute and it’s a treat. Hopefully I’ll be able to find them on CD somewhere. If anyone sees the source on Amazon or Ebay or such, please let me know in the comments.

Mr. West got me thinking of these little clips I shared a couple of years back of Matthew MacFadyen dramatizing poems. And let’s face it, Matthew MacFadyen is not a Throwback. He’s what we call in technical fishing terminology a Keeper. There are more to this series, but the only ones I can find on YouTube are the following three, a heartbreakingly beautiful reading of Yeats, an uplifting interpretation of a Shakespeare sonnet, and a fun portrayal of a William Carlos Williams piece.



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A Thursday Love Poem, Samuel West Makes a “Proposal”

It’s the third Thursday of (inter)National Poetry Month and we have yet to indulge ourselves in a Thursday Love Poem. Well, we are overdue, aren’t we? We started this occasional feature back in October with the poem which serves as its flagship piece, “Thursday,” by Edna St. Vincent Millay. If you want to get an idea of what a Thursday Love Poem is here on the Dad Poet, just remember the example Vincent set.


AND if I loved you Wednesday,
Well, what is that to you?
I do not love you Thursday–
So much is true.

And why you come complaining
Is more than I can see.
I loved you Wednesday,–yes–but what
Is that to me?

The Thursday Love Poem is often not a love poem at all, and when it is it’s certainly not a Valentine’s greeting card verse. Tonight we have a piece written by Tom Vaughn that fits the bill, called “Proposal.” It is performed here by Actor Samuel West. I don’t know the name of the actress, but I’d like to find out. What she does with her eyes in this one minute sketch is award material. I’ll have to do some research to find where this came from.

As usual you will find the poem printed below the video. For a bit more fun, be sure to click on the link in the poet’s name above. I think you’ll enjoy reading his bio, not to mention other poems.

Don’t forget the Related Articles at the bottom of this post! Mine are never auto-generated; I always hand-pick them in order to give you the most bang for your Dad Poet Bucks. This time you’ll find links to three other Thursday Poems you might have missed.

by Tom Vaughan 

Let’s fall in love — 
In our mid-thirties 
It’s not only 
Where the hurt is. 

I won’t get smashed up 
Should you go 
Away for weekends — 
We both know 

No two people 
Can be completely 
But twice weekly 

We’ll dine together 
Split the bill, 
Admire each other’s 
Wit. We will 

Be splendid lovers, 
Slow, well-trained, 
Tactful, gracefully 

You’ll keep your flat 
And I’ll keep mine — 
Our bank accounts 
Shall not entwine. 

We’ll make the whole thing 
Hard and bright. 
We’ll call it love — 
We may be right.


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April Snow and Some School Bus Poems

English: Picture of a Flip Mino HD video camera.

Should I add a donate button so I can upgrade my equipment?

Actually, I think we escaped this year with barely a flurry. Wait. I may be speaking too soon, the forecast I’m looking at on my tablet has rain with a low of 28° F this Tuesday and a slight chance of a flurry. And that’s despite a ridiculous summer preview today with a high just over 80. Sigh. I am hoping the rest of the month is just spring. I need some spring, and I have no desire to skip ahead to summer already. Let’s not wish my time away prematurely, alright?

So I mentioned before that last Sunday I was the guest poet at a local historical spot called The Joseph Priestley Memorial Chapel. They do a secular service of music and poetry on the first Sunday of each month and I was lucky enough to be asked in for National Poetry Month.

There was some lovely music on the old pipe organ and the piano by Hope Kopf. We enjoyed readings from the first woman to win the Pulitzer Prize for poetry, Sara Teasdale. Sara couldn’t be there in person though, something about the award having been given in 1918, but my heavens, George Manning, the gentleman who stood in for her, has a marvelous and resonant reading voice!

Next month it will be my dear friend Ann Keeler Evans reading at Priestley. I’ve featured Ann here several times before, including this fantastic street poetry reading for the International Day of the Girl. If you’re in the area, I’ll sit in your pew (That sentence looks far worse in print than it sounded in my head).

In the following video clips I cut out a couple of poems and much of the babble, though there really wasn’t much of that. I’ve attempted to give only a little background, and let the poems speak for themselves as much as possible. Mostly I read from the manuscript I am submitting around for an upcoming chapbook called The School Bus Poems. The second video is a little longer, but the two of them together will take up less than ten minutes of your time. Thanks for indulging me.

It was a fun morning, and one of the first really beautiful days of spring here. No snow, but yes, lilies and crocuses were starting to bloom, right out front of the chapel. So the opening short poem was quite appropriate. I apologize for the background noise, as it is still only a little Flip Mino camera I am using. They don’t even sell those things anymore!




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You Don’t Even Like Poetry, or Do You?

This Week in Poetry, Even for Non-Poets

From "Eating Poetry"

Mark Strand, from “Eating Poetry”

I am truly tickled to see so much being written about poetry during this (inter)National Poetry Month to an audience outside the traditional poetry scene. Often people who claim to dislike poetry merely had a bad experience, likely in high school, as Billy Collins likes to say “the place where poetry goes to die.” But it may be that people who don’t care for poetry have just never had it presented to them well, or that it has been so long that they don’t remember. I could be more cynical about pop culture, but I get so caught up in that hope thing.

Last week the Huffington Post published “7 Poetry Collections for Every Type of Reader.” While that title is ambiguously more expansive than its article delivers, the seven books suggested are indeed appropriately excellent suggestions for various kinds of readers who might otherwise not read poems at all. I give the article a good score for starting with a book of Kay Ryan poems, and including some scraps of images from Emily Dickinson who wrote on everything from napkins to receipts. Bonus points for including the mention of Frank O’Hara’s “Having a Coke with You.”

Also of note was Flavorwire’s “50 Essential Books of Poetry that Everyone Should Read.” Granted, I wish they had included Yeats, and you’ll quickly notice an “essential” favorite of your own that has been left out, but it’s impossible to cover every highlight in 50 books. So if you have books to add to it, I encourage you to write a follow-up post and link to it in the comments. Still, the rationale behind their selections is sound, and you will find many solid recommendations in their list, whether they be for you yourself, or for your friend who thinks he “hates” poems.

Looking Back

Nearly two years ago I wrote a blog post that still gets hits and attention, and shows up in my “most popular” posts stats, so I went to give it a visit today and realized that in the comments there were some excellent points that I seemed to have missed. I don’t know if anyone will get the message that I replied to them two years later, but I just couldn’t help myself.

The post entitled “Why (Even We) Hate Poetry” was an extension of this discussion started by J. Lynn Sherridan on her blog Writing on the SunTo boil it down we mainly discussed two extremes of the poetry world, or maybe I should say what passes as poetry. First we agreed we hated what she called “goobery poetry.” Here’s what she had to say about that:

I hate rainbow poems unless they’re for kids or all in fun. I hate bubble bath poetry. I hate reading a poem and feeling like I need to scrape the sentiment off with a spatula.

It took me the longest time to figure out why. I think it’s because some poems just don’t ring true. A love poem can be beautiful but it must sound sincere and authentic. Not contrived.

But we also seemed to agree that while poetry takes some effort to really grasp as opposed to simply enjoying a passing listen, we also hated the idea of difficulty for difficulty-sake poems, especially when in an attempt to avoid over-sentimentality are so stand-offish as to feel completely without guts or soul. Here is a bit of what I had to say about that:

I am not against difficulty or challenge. But the challenge and difficulty like all aspects of art should be appropriate to the art at hand, and not be difficult just for the sake of difficulty itself. It’s that arrogance that I read in some of these modern philosophical pieces that pisses me off. You can almost hear the poet saying, “Hah! I bet that you won’t get that, and anyway you’ll need a dictionary to read my writing, because I just proved I’m smarter than you.”

This sort of thing seems to be less prevalent than I recall from the workshops and early slams of the late nineties and 2000s, but I am still puzzled by how frequently I read in very reputable and respected literary journals poetry that is so. . . I don’t know, lifeless? I don’t wish to contribute to the anti-elitist cliché, but the flowery ornament of intellect and thesaurus is, when it comes down to it, just as fake and flat, just as horrible and unlovely as the flowery sap of insincere greeting card sentiment.poultry

Even if the form is precise, the language lovely, the music, the meter, the sound. . . there must be some sense, something in it that pulls or kicks at our gut, or am I missing the point of art? My point is that both saying something and saying it splendidly are important. Even the nonsense of Lewis Carrol and Kenneth Koch has an emotional sense, that for lack of a better description, feels right, or surprises while it fulfills. The language must say something, even if it is ambiguous, that moves us, and it must say it in a way that recognizes itself as language (to borrow favorite professor Stephen Whitworth‘s phrase). Good poetry is not merely form and intelligent language, not merely a word-puzzle, but also a human event, even if only a small one.

I really like the way RKHouse put it:

I don’t look for a poet to impress me that he is smarter than me. There are a lot of people who are smarter than me that can say things that are difficult for me to understand. I look for a poet to impress me that he has more artistic imagination and vision and has the power to make me wonder how long it took to work with all those words in order to tell that story and at the same time make it rhyme or have rhythm or alliteration. Impress me by being able to work at multiple levels and bring it all together in ways that leave me standing bowed over in humbled wonder at the beautiful artistry of the act of creation.

And I would like to add that the reward should be worth the effort put into the task. I don’t want to bust my knuckles open breaking into a safe only to find a five dollar bill, unless that five dollar bill is somehow the most beautiful five dollar bill the world has ever seen, or maybe it’s the first five dollar bill that my father ever earned at the business that supported our family through difficult times.

Ah, but there it is, sentiment again. Why are poets afraid of it? Probably because most don’t do it well; it comes off as false or preachy, immature, and it’s delivered without skill or ingenuity. Maybe it is cliché, stated in words we’ve heard it over and over. So make it new, as Pound said. But don’t give up the human part of the humanities. Poetry is more than mere artifice.

In a recent blog post that I will try to come back to this week, Scott Edward Anderson put it this succinctly: “Poetry should be neither a Rubik’s cube nor a road sign.” I perhaps should have quoted him and left it at that. 

Nebulous Promises for the Week Ahead

I have mentioned that I want to share with you some of the many exciting things happening for National Poetry Month for both writers and readers, but there is just so much of it, and so much I’ve been catching up on myself. I will attempt to link up to a few of the folks I admire in hopes that you’ll enjoy the ride and maybe find a bit of inspiration for your own self there, whether it be to write or to enjoy the reading.

Speaking of reading, someone in  one of the above discussions that I linked to had mentioned the importance of reading poetry out loud. I have done some readings in the past of poets whose work I adore (maybe a hundred and forty on YouTube, and I think more than fifty on Soundcloud). Since this is the first NPM in a while that I haven’t directly participated in the challenges, either of sharing or composing, I promise to repost a few of my favorites.

And since a dear friend of mine promises to sick the “old Nazi” Ezra Pound on me for turning it into a verb, “Poem on!”

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the good housekeeper

David J. Bauman:

Ah, this modern classic from Jaime Dedes is too good not to share. But why do I get a spring cold just in time for spring cleaning?

Originally posted on THE POET BY DAY in 2014, My Year of the Horse:

423px-Good_housekeeping_1908_08_a at sunrise with its shmears of
cream cheese clouds against
the quince-colored morning light,
Mrs. Goldberg is out of bed ~
a military tactician in war-time
no dust-bunny is safe, every
grease spot enzyme-bombed
out of existence, the wash thrashed by
machine, then hanged or folded, put in place,
her windows wiped, her floors scrubbed,
and woe betide wee crawling creatures,
so intent is Mrs. G on genocide

© 2014, poem, Jamie Dedes, All rights reserved
Illustration ~ in the U.S. public domain, a 1908 cover of Good Housekeeping magazine illustrated by John Cecil Clay (1975-1930), American illustrator

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